Monday 28 October 2013

What will recorded music sound like in 2050?

Last few days in NYC Bob La Grou was a keynote speaker at the Audio Technology Group meeting. He centered some of his logic about how recorded music will make on Moore's Law, which states that the number of transistors loaded onto integrated trip increases approximately every two decades. That prediction was made in 1965, and if anything, Moore neglected the cost advantages we've knowledgeable. La Grou mixed out determine after determine that colored a beneficial future for music, activity enjoying, and film technical improvements in in the future.

La Grou views that extremely impressive gestural management and brain/machine relationships will turn the way music is recorded and replayed. That might avoid using a mic to record the noise of an system or vocals; music in 2050 will be unique and mostly electronic.

La Grou views that music will be mixed to make finish 3D involvement over headphones lengthy before 2050. Mic and headset designers and sound application specialists will make 360-degree sound techniques. Audio system perform a small sector in sound replication in La Grou's future gazing. He described headset sound as "spherical sound," where the viewers is within a good bubble; spatial quality within the headset percolate will organize fact, not just for music. He views activities and films will produce the technical. By 2050 large advantages in managing power and unique production methods will offer amazing impressive opportunities. I'm not sure how artists, and their skills of sound devices fit in La Grou's unique sound frontier, but it would be a great loss to alternative them with simply electronic music. I wish we can have both sound and electronic music coexisting in 2050's recorded music.

In an e-mail come back after his AES business presentation, La Grou said, "I see no technical reason why head-worn sound can't progressively (2040+) well duplicate any sound area and any room notice technique with organic excellence, short of sound elements developed to impact the whole body (subs, etc.). There are some psychological/psychoacoustic the procedure of this type of future, along with issues on the mic side, but that's for another conversation."

La Grou's predictions strike me as a little too idealistic; it symbolizes a future where viewers pay interest, and no more published written text, talk about, study, work, work out, produce, and so on as they pay interest. Arriving back here in 2013 music is mostly consumed as credentials soundtrack to other activities, and I can't assume will modify all that much over the next 37 decades. Complete involvement might be too finish, and make it challenging to multi-task. How do you see the lengthy run of recorded music, how will it be different than what we have now? Discuss your thoughts in material area.

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